Dante/Use of Nature
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A 4 page essay that examines Dante's use of nature in The Inferno and The Purgatorio, which are part of Dante's epic The Divine Comedy. The writer discusses the meaning of nature imagery and how Dante uses this to convey his perception of spiritual truths. Bibliography lists 4 sources.
Filename: khdannat.rtf

Decameron By Giovanni Bocaccio
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A 6 page paper. The writer discusses themes and symbolism found in the Decameron. Bibliography lists 7 sources.
Filename: PGdecam.wps

Distinctions Between Dante Alighieri and his Fictitious Poet Dante in "Inferno," Part One of "The Divine Comedy"
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A 5 page paper which considers three distinctions between the real Italian author and poet Dante Alighieri with the fictitious character Dante he created in "Inferno," part one of his classic epic poem, "The Divine Comedy." Bibliography lists 6 sources.
Filename: TGdante.wps

Giuseppe Ungaretti
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A 7 page overview of the work of Italian poet Giuseppe Ungaretti. This paper emphasizes the varied cultural influences which undoubtedly shaped Ungaretti’s style. Noted for his use of few and very carefully chosen words, Ungaretti could accurately be described as a literary minimalist and exemplary of the hermetic movement. Like the French symbolists, he looked at poetry much as one looks at music. Even single words, had musical potential and tremendous power. Bibliography lists 6 sources.
Filename: PPungare.rtf

Guides in Dante Alighieri's “The Divine Comedy”
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This 5 page report discusses Dante Alighieri's (1265-1321) classic and notes that it has always been and is more than likely to remain fascinating to countless moralists, poets, and readers throughout the ages. Dante’s various “guides” serve to cause the reader to consider and re-consider their assumptions about damnation and who “deserves” to be damned. Bibliography lists 4 sources.
Filename: BWdancom.wps

Italo Calvino's "Invisible Cities"
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5 pages in length. That which appears straightforward and obvious often conceals something significantly more meaningful in its message. The truth that lies within an account such as Italo Calvino's "Invisible Cities" addresses the inherently complicated and diverse attitudes as they exist within each individual. "Invisible Cities" is about human nature - the very truth of human nature - which is why it is often challenging to accept. Indeed, Calvino's work represents all that is the human experience, a pertinent reason why it appeals so greatly to a limitless audience. No additional sources cited.
Filename: TLCInvizCt.rtf

Luigi Pirandello, Madness, and the Plays Six Characters in Search of an Author and Henry IV
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In four pages this paper examines the effects of madness in the works of author and playwright Luigi Pirandello in a comparison and contrast of how madness is utilized in these two plays. Three sources are cited in the bibliography.
Filename: TGluipiran.rtf

Machiavelli and the Common People
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A five page paper analyzing Niccolo Machiavelli's attitude toward the common people of Italy as evidenced in his work 'The Prince.' The paper argues that Machiavelli believed that a nation composed of relatively powerless common people was best served by a powerful and centralized government which made their decisions for them, and aggressively defended their interests to the betterment of all. Bibliography lists one source.
Filename: KBmachia.wps

Machiavelli: A Teacher of Evil?
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A 7 page consideration of the question of whether Machiavelli and his teachings were evil. Writing during the sixteenth century, Machiavelli concentrates on the tactics which he sees important in a ruler advancing the interest of their states and themselves in the future in a unified Italian state. The author reviews Machiavelli’s writings to contend that while it is quite obvious that he was neither virtuous or moral in the true sense of either of the terms, neither was he evil. Bibliography lists 6 sources.
Filename: PPmachi3.rtf

Medieval Cities in Dante's Inferno
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A 3 page essay that discusses the role of cities as settings in Dante's Inferno. In the notes that accompany the Hollander and Hollander translation of Dante's Inferno, these translators comment that the medieval city provides the "centering image of political life" for Dante's vision of Hell (Hollander and Hollander 56). As this indicates, Dante pictures Hell in terms that are synonymous with those of an earthly city, such as his native Florence. As this indicates, an examination of Dante's references to cities in the Inferno demonstrates how this setting aided Dante in accomplishing his literary goals. No additional sources cited.
Filename: khholinf.rtf