'Top Girls' By Caryl Churchill
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5 pages in length. Caryl Churchill's Top Girls set a precedent unlike any other feminist theatre production had heretofore accomplished; as such, this unparalleled approach created a combination of difficulties as well as unusual opportunities for the playwright while preparing the original production. With the critical acclaim inherent to this type of theatrical breakthrough, it is not surprising to find that Churchill's original production was paramount to the growing awareness of escalating gender issues in the early 1980s. Bibliography lists 8 sources.
Filename: TLCTpGrl.rtf

“A queer reading of ‘Never the Sinner’”
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A paper which contrasts traditional and queer readings of literary texts, and looks at John Logan’s ‘Never the Sinner’ from the perspective of the latter, in terms of the way in which the characters are presented and Logan’s interpretation of their motivations.
Filename: JLqueerread.wps

“A Raisin in the Sun”
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A 5 page overview of this play first performed on Broadway in 1959. The author emphasizes the familial relationships which unfold in the play. The contention is presented that a black female serves as the primary head of the fictional family presented in the film just as black females often serve as the heads of real life families today and yesterday. The lesson that eventually emerges, however, is that the love and strength of the family’s matriarch can ultimately pay off in the maturation of other family members.
Filename: PPraisin.rtf

“A Raisin in the Sun” and “Fences"
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A 5 page paper which analyzes, comparing and contrasting, two plays: Lorraine Hansberry’s “A Raisin in the Sun” and August Wilson’s “Fences.” Bibliography lists 7 sources.
Filename: RAraf.rtf

“A Raisin in the Sun” by Lorraine Hansberry
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A 5 page paper which examines how Lorraine Hansberry’s novel “A Raisin in the Sun” possesses themes of manhood and materialism. Bibliography lists 3 sources.
Filename: RAraisn.rtf

“A Room of One’s Own” and “Mrs. Warren’s Profession”
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A 5 page paper which examines different elements and perspectives in Virginia Woolf’s “A Room of One’s Own” and Bernard Shaw’s “Mrs. Warren’s Profession.” Bibliography lists 1 source.
Filename: RAwlfshw.rtf

“Body Indian” by Hanay Geiogamah
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A 4 page analysis of a quote from Hanay Geiogamah’s play “Body Indian.” No additional sources cited.
Filename: RAbdind.rtf

“Breaking Into” Theater in Chicago
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This 6 page report discusses the theater world of Chicago which offers those in training as actors a far greater opportunity to perform, to be seen, and to gain a certain degree of fame and notoriety. Chicago, the United States’ self-proclaimed “second city”, has a great deal to offer the young actor looking for his or her big break. Institutions such as the Steppenwolf Theater Company and the Shakespeare Theater have repeatedly demonstrated their ability to hold their own in the dramatic world. Bibliography lists 8 sources.
Filename: BWchithe.wps

“Cabaret” – An Overview
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This 8-page essay examines the play “Cabaret,” citing its origin from a book by American author, Christopher Isherwood and its later evolution to the Broadway stage. The often steamy and tough-minded production went on to become an award-winning Bob Fosse spectacle, starring Liza Minnelli and Joel Grey. Many different themes usher forth from the play, and these along with other divergent details are discussed. Bibliography lists 3 sources.
Filename: SNCabret.doc

“Comparison between Nora in A Doll’s House and Hedda in Hedda Gabler”
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A five page paper which compares and contrasts the characters of Nora in Ibsen’s A Doll’s House and Hedda in Hedda Gabler, in terms of their personality, intellect and the way in which they perceive their lives and their relationships with others. Bibliography lists 2 sources.
Filename: JLnorahedda.wps